Sakura Cyclone Table

TOMOAKI KAGEYAMA

Interview about Sakura Cyclone Table, winner of the A' Furniture Design Award 2025

About the Project

This is a low table made of molded cherry plywood. This table usually looks like a large cherry tree growing on the earth. On the other hand, when turning on the light, the cherry blossom blooms in a shadow and makes the space brilliant. It is a table that turns an evening into a special time. Cherry blossom is an important symbol in Japan. But cherry blossoms bloom for only about one week of the year. This table is designed with the fleeting brilliance of the Cherry blossom tree.

Design Details
  • Designer:
    TOMOAKI KAGEYAMA
  • Design Name:
    Sakura Cyclone Table
  • Designed For:
    Tomoaki Kageyama
  • Award Category:
    A' Furniture Design Award
  • Award Year:
    2025
  • Last Updated:
    July 2, 2025
Learn More About This Design

View detailed images, specifications, and award details on A' Design Award & Competition website.

View Design Details
Your innovative fusion of Japanese aesthetics with Western furniture design in the Sakura Cyclone Table is remarkable - could you elaborate on how your research into "In Praise of Shadows" by Junichiro Tanizaki influenced your approach to incorporating shadows as a core design element?

Shadows falling from objects are generally not considered. On the other hand, Tanizaki's “In Praise of Shadow” states that Japanese people have the feeling of finding beauty in shadows rather than in light. With this in mind, I attempted to express the ephemeral splendor of cherry blossoms using shadows. I chose a table, a piece of Western furniture, because I thought it would accentuate the Japanese sense of beauty.

The Sakura Cyclone Table transforms dramatically when illuminated, creating a stunning cherry blossom shadow effect - what technical challenges did you encounter while perfecting this interplay between light, shadow, and the molded cherry plywood construction?

It was challenging to achieve the desired angle at which the molded plywood was assembled to create the shadow of the cherry blossoms. I also fixed them with wires so that they could be adjusted.

As an associate professor specializing in "imagination margins" and "benefit of inconvenience," how did these research themes shape your conceptual development of the Sakura Cyclone Table, particularly in creating a piece that serves both practical and contemplative purposes?

"Imagination Margin" refers to the room where the user's thoughts can intervene when looking at or using the product. The Sakura Cyclone Table, which only appears in its original form at certain times, can be said to be equipped with “Imagination Margin”.

The Sakura Cyclone Table beautifully captures the ephemeral nature of cherry blossoms through shadow play - could you share the journey of experimentation and prototyping that led to achieving this delicate balance between form and symbolic representation?

After sketching the idea, I produced several prototypes with a 3D printer. After that, I went to a plywood factory to discuss with a craftsman about producing the prototypes in wood. However, it turned out that it was difficult to produce the 3D printer model in wood, so we repeated trial and error many times after that. The project was completed in one year.

Your Silver A' Design Award-winning Sakura Cyclone Table showcases exceptional craftsmanship from the Hida region - how did collaborating with these renowned Japanese furniture artisans influence the final design and production methods?

I received great support from Mr. Kuroda of the design office Hidakuma in Hida. The Sakura Cyclone Table was made possible by a molded plywood factory selected by Mr. Kuroda.

The wire adjustment mechanism in the Sakura Cyclone Table allows for precise shadow control - could you explain the development process behind this innovative technical solution and how it enhances the user experience?

At first, I was thinking of a mechanism that would be supported only by hub bolts, but the shadows didn't fall in good shape. Then, inspired by Michele De Lucchi's “Tolomeo,” I came up with the idea of incorporating a wire adjustment mechanism.

Given your background in mobility and lifestyle equipment design, how did your previous experience inform the versatility of the Sakura Cyclone Table, particularly in its ability to transform spaces from day to night?

In fact, I have had very little experience in furniture design since I have been designing mobility and home appliances. I think that is why I was able to create innovative furniture ideas.

The Sakura Cyclone Table seems to challenge conventional furniture design by incorporating temporal elements - how do you envision this approach influencing future directions in furniture design, especially regarding the integration of cultural symbolism?

The idea of having the furniture appear in its original form only at certain times was inspired by the Japanese values of enjoying seasonal scenery and events. Since the majority of furniture is universal, this idea may become a new approach.

Could you elaborate on how the Sakura Cyclone Table's dual nature - appearing as a tree by day and revealing cherry blossoms through shadows at night - reflects your philosophy about creating furniture that elevates everyday moments into special experiences?

Like many Japanese people, I love cherry blossoms. There are many design works using cherry blossoms as a motif, but I have felt that most of them do not capture the essence of the beauty of cherry blossoms. I believe that the essence of cherry blossoms is their ephemeral beauty, which blooms only a few days out of the year. I wanted to express that transience.

Looking at the success of the Sakura Cyclone Table and its recognition through the A' Design Award, how do you plan to further explore the intersection of Japanese aesthetics, modern functionality, and emotional resonance in your future furniture designs?

First of all, I would like to mass produce the Sakura Cyclone Table. Once mass-produced and in the hands of the public, I hope that this table will take root as a new approach to Japanese furniture design.

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