THA Chair

Jun Nakano

Interview about THA Chair, winner of the A' Furniture Design Award 2024

About the Project

Tha is a four legged armchair that can be stacked from the front as well as the back. This is a revolutionary idea in chair history, already patented and very convenient. It can easily and smoothly be stacked with a slight lift from the back, even if the table is in front. Nothing has been sacrificed in design or seating comfort for this feature. It is designed with simple lines that do not require excessive handwork.

Design Details
  • Designer:
    Jun Nakano
  • Design Name:
    THA Chair
  • Designed For:
    Jun Nakano
  • Award Category:
    A' Furniture Design Award
  • Award Year:
    2024
  • Last Updated:
    November 24, 2024
Learn More About This Design

View detailed images, specifications, and award details on A' Design Award & Competition website.

View Design Details
Your innovative approach to stackable chair design with THA Chair challenges a 4,000-year tradition - could you elaborate on the moment of insight that led you to question why chairs could only be stacked from the front?

One day I was sitting in an aligned chair. In front of me I could see the back of the chair in front of me. The idea occurred to me that it would be more efficient to stack the many chairs in this row from the back in order to clear them out.

The THA Chair's ability to be stacked from both front and back represents a significant breakthrough in furniture design - how did you overcome the structural engineering challenges while maintaining the chair's aesthetic appeal and comfort?

The structure, which can be stacked from behind, is patented. This means that the patent office has recognized that this structure has never existed before. However, there was a problem of strength, especially in the case of wooden chairs. Therefore, to prevent the load from being concentrated in one point, several parts were thinly shaved so that the load would be dispersed by the elasticity of the wood.

Your background in traditional woodworking and modern technology seems to converge beautifully in THA Chair - how did this dual expertise influence your design decisions, particularly in achieving both simplicity and functionality?

I have mastered traditional Japanese woodworking techniques and make my own prototypes to realize my ideas.In doing so, I put together a design while also envisioning the production process and efficiency of the product. The result is an innovative chair with a simple structure.

The elegant solution of THA Chair's leg and armrest positioning appears deceptively simple - could you walk us through the iterative process that led to this patented configuration?

I have researched a great deal of literature in order to obtain a patent. I then applied for a patent so that I would not be unable to use the idea myself. In other words, I obtained a patent to protect myself.

Given that THA Chair eliminates the need for complex moving parts while achieving superior functionality, how did you balance cost-effectiveness with design innovation during the development process?

Many chairs that can be nested like shopping carts have been designed in the past, but these chairs have movable parts that allow the seat to flip up and down. These have moving parts that can be raised and lowered, which complicates the structure and increases cost.The important part of the structure is very simple, so I tried to create a design that would not compromise that.

The name THA Chair derives from the silhouette of the chairs when lined up - could you share the creative thinking behind this visual concept and how it influenced the final design?

In recent years I have designed a number of chairs inspired by letterforms. When I design a chair, I design from the silhouette and the shadows that the chair casts in the light. I am working on a variety of ideas, including chairs that cast beautiful shadows even when no one is sitting in them, and chairs that become complete when a person sits in them.

Your emphasis on reducing manual work in THA Chair's production while maintaining design integrity is noteworthy - how does this approach contribute to the broader conversation about sustainable furniture manufacturing?

Chairs with many complex curves cause many problems in the production process; we have designed a good combination of three-dimensional and two-dimensional structures to achieve cost reductions. And its simple structure leads to ease of repair, aiming for longer use through repair.

The journey of THA Chair from patent application in 2019 to its debut at IFFT Tokyo International Furniture Fair in 2024 spans several years - what key refinements and improvements emerged during this development period?

When I came up with this structure in 2019, it was a two-legged chair. And the chair, named [8], won the Reddot design award in Germany in 2021.The design of that chair was very simple but very challenging for a chair. The THA Chair was designed as a more common chair with four legs.

As a woodcraft artist bringing innovation to commercial furniture design with THA Chair, how do you envision this patent-protected stacking mechanism influencing future chair designs across different materials and contexts?

I specialize in wooden furniture design, but am currently in the process of designing metal chairs and desks for the office. These can be mixed and stacked despite their different designs.I hope that these furniture pieces will be used in various places in the future.

The Bronze A' Design Award recognition for THA Chair highlights its innovative contribution to furniture design - how does this international acknowledgment impact your vision for future developments in stackable furniture solutions?

The fact that the THA chair won the Bronze A Design Award proves that my ideas are not only applicable in Japan.I am very proud of the fact that the chair has become a catalyst for the spread of various designs around the world, and I see a lot of potential for the future.

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