Cheers Brooch

Yunhua Cheng

Interview about Cheers Brooch, winner of the A' Jewelry Design Award 2024

About the Project

The overall shape of this brooch is a large wine glass, which in turn has various shapes of shot glasses. The shot glasses represent every moment of celebration, and the akoya pearls represent the bubbles rising from the wine, a series of bubbles dancing as excitedly as those people raising their glasses. This is a soft, lightweight brooch with pearl bubbles that can swing. The back of the brooch is also a wine glass with bubbles flowing, as if you are drinking a glass at this moment.

Design Details
  • Designer:
    Yunhua Cheng
  • Design Name:
    Cheers Brooch
  • Designed For:
    Jie Jing Jewelry
  • Award Category:
    A' Jewelry Design Award
  • Award Year:
    2024
  • Last Updated:
    January 6, 2025
Learn More About This Design

View detailed images, specifications, and award details on A' Design Award & Competition website.

View Design Details
Your innovative integration of movement in the Cheers Brooch, particularly with the swinging pearl bubbles, creates a captivating dynamic element - could you elaborate on the technical challenges you faced in achieving this delicate balance between mobility and structural integrity?

When I asked the factory to move a string of bubbles, the factory was stumped, because we had to consider the firmness and whether it would collide with other parts when swinging, but later we discussed what kind of structure to use and which positions to swing and which positions not to swing, and successfully solved the above problems.

The Cheers Brooch beautifully captures celebratory moments through its metaphorical design elements - what inspired you to specifically choose the combination of wine glasses and pearl bubbles to represent these precious life milestones?

I think it was my husband's birthday last time. We invited my sister and brother-in-law to celebrate together. Of course, the celebration was inseparable from drinking. When we drank a toast, I felt wonderful when I saw the bubbles in the glass. I think pearls are made in water and round, which is very suitable for designing elements related to water, so there are Cheers behind them.

In developing the Cheers Brooch, how did your research into adult happiness and life's pressures influence your decision-making process regarding materials selection and symbolic elements?

Until adulthood, I found that many people's happiness is not to have a lot of money and benefits, but to pursue a simple life. This simplicity is reflected in lifestyle and dress, so in fact, Cheers is also very simple as a whole, with wine glasses and bubbles. We can easily imagine the scene of a toast when we see it. I chose 18K gold as the material of the wine glass. The wine glass with 18K gold is actually a reflection of life pressure and an element that suggests us to transform pressure. Because the metal wine glass will show everything around it, just like a mirror of life, and all the pressure is present in it, but how to turn pressure into motivation is what we need to explore and think about. As for why we choose pearls, because pearls are organic gems, they can be regarded as a living gem, and bubbles are our emotional elements. In this work, it expresses happiness. I think pearls can convey this emotion well, and AKOYA's unique pink halo looks like everyone's slightly drunk face.

The Cheers Brooch features both front and back designs that mirror the wine glass theme - what motivated you to create this dual-sided approach, and how does it enhance the overall narrative of celebration you aimed to convey?

The first is the structure of the wine glass. I think the three-dimensional wine glass is the most beautiful. It looks like a funnel. On the one hand, the double-sided design takes into account the cost. On the other hand, I want the audience to feel the flowing feeling of wine and small bubbles in the wine glass through the back. On the front, we see the bubbles flowing out of the glass, while on the back, we see the wine and bubbles flowing in the glass. I think the front and back design is the complete Cheers scene.

Your Bronze A' Design Award-winning Cheers Brooch demonstrates remarkable attention to wearability - could you share the specific considerations and adaptations you made during the design process to ensure both comfort and aesthetic appeal?

Because it is a three-dimensional shape, in fact, in the early stage of design, we made many adjustments to the three-dimensional shape of the wine glass, including the size of the wine glass and the height of the side, because it is necessary to consider that the position of the back close to the body can have a relatively large position close to the body, and the adjustment of the height of the pearl actually takes a lot of time, because we have to consider the flow direction of the bubbles and what the whole bubble line is like. At the same time, the whole brooch is not heavy, and the left and right sides can be slightly kneaded.

The Cheers Brooch incorporates various shot glass shapes within the larger wine glass form - how did you determine the precise arrangement and proportions to achieve both visual harmony and symbolic meaning?

We have adjusted the shape of the wine glasses several times. We specially found different shapes of the wine glasses, and then further observed the shapes and proportions of the related wine glasses from the sketched wine glasses. As for the size arrangement of the wine glasses, we actually referred to the number of the wine glasses on the left and right sides, and there are four wine glasses on the left and right sides. The large and small wine glasses are staggered to achieve visual balance, so that the overall large shape is also a streamline of the wine glasses. As for the specific arrangement, we will combine the design of pearls.

In creating the Cheers Brooch for Jie Jing Jewelry, how did you align your creative vision with the brand's focus on contemporary independent women while maintaining the piece's universal appeal?

In fact, contemporary women attach great importance to self-esteem, because their economic thoughts can be relatively independent, and everyone attaches great importance to the sense of ceremony, which can make their lives happier and better, and Cheers itself is a very ceremonial work.

The computer-aided design phase of the Cheers Brooch must have been crucial for planning the movement mechanisms - could you walk us through how digital tools helped you visualize and refine these complex elements?

I think computer-aided design is very important. The structural adjustment in the early stage is basically done on Jewelry Cad. It can easily and intuitively show me the overall effect in the early stage, such as the adjustment of proportion and the adjustment of the position of details, including the side and back. After the adjustment is almost the same, we can spray wax to see the effect and make further details adjustment.

Looking at the emotional dimension of the Cheers Brooch, how do you envision this piece serving as more than just an accessory, perhaps as a physical reminder of life's joyful moments?

When I see a pink pearl, I think of a little tipsy moment. Together with the swaying bubbles, it will bring me into a very happy scene. The scene and reflection on the glass are like a mirror. What will you think when you look in the mirror? I believe that most of the time we will smile at the mirror.

Given the success of the Cheers Brooch at the Hong Kong Jewelry Exhibition and its Bronze A' Design Award recognition, how do you plan to evolve this concept of wearable celebrations in your future designs?

In fact, my current idea is to make Cheers a commercial series to extend it, to integrate the celebration moments into life and to wear happy emotions with me.

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