Outotsu Glass and Coaster

Satoshi Umeno

Interview about Outotsu Glass and Coaster, winner of the A' Bakeware, Tableware, Drinkware and Cookware Design Award 2024

About the Project

Outotsu means unevenness in Japanese. Stacking is now possible with the concave part of the glass and the convex part of the coaster. The coaster absorbs water droplets that form on the glass. It also has excellent deodorizing and antibacterial properties. The protrusions on the bottom of the glass create convection when you pour a drink into it, drawing in air that enhances the aroma and balances the flavor of the drink. There is no need to mix with a stirrer, and the beer will foam better. Another convenient feature is that both can be stacked for storage.

Design Details
  • Designer:
    Satoshi Umeno
  • Design Name:
    Outotsu Glass and Coaster
  • Designed For:
    U&
  • Award Category:
    A' Bakeware, Tableware, Drinkware and Cookware Design Award
  • Award Year:
    2024
  • Last Updated:
    November 19, 2024
Learn More About This Design

View detailed images, specifications, and award details on A' Design Award & Competition website.

View Design Details
Your innovative use of Shirasu, a 25,000-year-old magma ceramic unique to Japan, in the Outotsu Glass and Coaster demonstrates remarkable material innovation - could you elaborate on how you discovered this material's potential for tableware design?

Magma ceramic was used as a building material only for walls. I wondered if there was a way to substitute the functions of natural materials such as water supply, humidity control, deodorization, and antibacterial properties, and I came up with the idea of ​​a coaster. It has been reborn as a coaster that does not need to be washed and does not grow mold.

The convection-creating protrusions at the bottom of the Outotsu Glass and Coaster represent a fascinating intersection of fluid dynamics and drinking experience - what inspired you to incorporate this functional element into the design?

It was a hassle to use a stirrer when mixing liqueur with water, juice, etc. Sometimes I mix it with my fingers, but it's not hygienic. So I thought it would be convenient to have a glass that doesn't require mixing. After repeated research, we found the best structure.

How did your architectural background influence the stackable design solution of the Outotsu Glass and Coaster, particularly in terms of spatial efficiency and form-follows-function principles?

The advantage is that it can be stored in a small size not only at home but also in restaurants. The stacking structure of both glasses and coasters makes them easier to use and more cost-effective in terms of logistics.

The Outotsu Glass and Coaster's ability to enhance drink aroma and balance flavor through air convection is intriguing - could you walk us through the research and testing process that led to this sophisticated feature?

In addition to mixing, we conducted numerous tests to find out how to introduce air, how to foam beer, and how to bring out the aroma. We pursued the pouring speed, height, and average value, and as a result, we selected the volume, angle, and size of the glass.

Your Bronze A' Design Award-winning Outotsu Glass and Coaster seamlessly combines Japanese aesthetics with practical functionality - how does this design reflect your philosophy about the relationship between traditional craftsmanship and modern innovation?

If you use resin or metal in this work, the taste will change. Therefore, it must be glass. Craftsmanship is required to achieve this with glass. The craftsmen were impressed by the designer's policies and succeeded in creating a difficult structure.

The environmental consciousness embedded in the Outotsu Glass and Coaster's material choice is remarkable - could you share more about the challenges and breakthroughs in working with Shirasu to achieve both sustainability and performance?

It is difficult to harden whitebait, so we asked for help from foundry and other industries. It was a manufacturing method that the craftsmen had never experienced before, but it has now been improved so that even people with disabilities can make it, and it is also contributing to society. Based on the recipe, Shirasu collected data on various results such as water absorption rate and strength, and researched the best combination.

The name "Outotsu" meaning unevenness in Japanese perfectly captures the design's essence - how did this concept of complementary concave and convex surfaces evolve during your development process?

Concave and convex surfaces must be properly connected to each other for this to work. First, we will join the coaster and glass, then the glasses, and then the coasters. This started with a model, and the design was finalized through repeated prototyping and lowering the defective rate. But don't disturb convection. The current design was created after a series of mind-boggling experiments.

Could you elaborate on how the antibacterial and deodorizing properties of the Outotsu Glass and Coaster contribute to a more hygienic drinking experience, and what role did these considerations play in your initial design brief?

In Asia, which is hot and humid, the proliferation of bacteria due to humidity becomes a dietary issue. Also, if the dishes get smelly, the food won't taste as good. In order to solve these two issues, we focused on magma ceramic (shirasu).

The Outotsu Glass and Coaster's ability to eliminate the need for a muddler while improving beer foam quality is fascinating - what inspired you to address these specific user experience challenges in your design?

The problem was my own experience and the fact that many people don't use muddlers. Some people mix with chopsticks, some use their fingers, and some don't. None of this is a solution. If you don't have to mix it up, it's the best solution.

Looking ahead, how do you envision the innovative features of the Outotsu Glass and Coaster influencing future tableware design, particularly in terms of multifunctional capabilities and sustainable material usage?

Made from 100% natural materials, Outotsu is a renewable product. It is very important that it does not have a negative impact on the earth. Additionally, functional products contribute to improving the quality of life. I think this will have a huge impact on the design industry in the future.

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